The whole gig, one link.
Share a set and the entire night — every song, in order — becomes a
single link you can text to the band. A bandmate taps it and the set opens. That's
the whole workflow.
What the other end sees
- With SongCharter installed: the set lands in their app, open on the
running order — songs added, ready to play, tuned to their own key and capo
settings without touching yours.
- Without the app: the link opens in any browser — iPhone, Android, a
laptop — with nothing to install. The charts are right there, readable and
transposable on the spot.
- Receiving is free, always. Songs that arrive by link never spend the
free tier's three slots. A bandmate can hold a hundred-song book you sent
without paying anything.
What our server sees
Not your songs. A set is encrypted on your device before it leaves; what we store
is ciphertext we cannot read, addressed by a random id. Links expire on their own
after about 90 days, and an expired link says exactly that — ask them to send it
again. There are no accounts and no analytics; the label on the App Store listing
says "Data Not Collected" because that is literally the design.
Sync your library
Paid libraries mirror across every device signed into the same Apple
Account — iPhone, iPad, Mac. Edit a chart on the iPad at rehearsal and
the iPhone already has it by soundcheck. Sync runs through your own
private iCloud, the same place Apple already keeps your photos — no
server of ours in the loop, nothing we can read.
A quiet row at the foot of the library, next to Back up, is
both the status and the switch: Synced with iCloud when it's
working, a plain nudge to sign into iCloud when it isn't. A bad night
for iCloud never costs you a gig — songs stay put on the device and
the row just shows the last time sync ran clean.
Free libraries stay single-device, same as always. Sync
switches on the moment you unlock — nothing to set up beyond already
being signed into iCloud.
Back up your library
Free, your library lives on your device only — not in a cloud, not
on our servers. Paid and synced, it also lives in your own iCloud
(that's the mirror above) — still no server of ours, still nothing we
can read. Either way, one habit is worth keeping: Back up, at
the foot of the library, exports everything — songs, sets, keys,
capos — as one file. Park it in Files or iCloud Drive. Restore
backup brings it all home.
Deleting the app deletes the library — free, or
paid with sync off. The purchase follows your Apple account and restores
free either way. Paid and synced, your songs come back too: sign into the
same Apple Account and the library reappears on its own. Otherwise, back
up before you delete, before a new iPad, before anything dramatic.
Paid and synced, a new iPad doesn't need a backup at
all: sign in with the same Apple Account, buy or restore, and the
library appears on its own — Restore purchase lives under the
Unlock everything row if it doesn't happen automatically. Backup
files are the way to move a library out instead — to someone
else's device, a different Apple Account, or just a copy in hand
before anything dramatic: export on the old device, restore on the
new one. (Restoring never marks a bandmate's songs as your own — the
free-tier counter can't be gamed with a backup, by design.) Free
libraries keep the export-and-restore path for new devices too —
sync is what the unlock adds.
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